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Yeshua and the crowd

Daylight finds him in a procession again, but this time no one could mistake him for a king. He’s stumbling along under the weight of his own instrument of execution, a great big wooden thing he can hardly lift, with an escort of the empire’s soldiers, and the bystanders who’ve come blinking out of the lodgings where they spent the festival night don’t see their hopes, or even the possibility of their hopes, parading by. They see their disappointment, they see their frustration. They see everything in themselves that is too weak or too afraid to confront the strapping paratroopers; and much though they hate the soldiers, they hate him more, for his pathetic slide into victimhood. Word of his loose living, his impiety, his pleasure in bad company goes round in whispers. And just look at him. There’s something disgusting about him, don’t you think? Something that makes you squirm inside. Something … furtive. He’s so pale and sickly-looking, with that dried blood round his mouth. He looks like a paedophile being led away by the police. He looks like something from under a rock; as if he doesn’t deserve the daylight. He’s a blot on the new day. Someone kicks his arse as he goes by, and whoops, down he goes, flat on his nose with the cross pinning him like a struggling insect, and let’s face it, it’s funny. Yeshua is a joke. He’s less a messiah, more a patch of something nasty on the pavement. And as he struggles on he recognises every roaring, jeering face. He knows our names. He knows our histories.

And since, as well as being a weak and frightened man, he’s also the love that makes the world, to whom all times and places are equally present, he isn’t just feeling the anger and spite and unbearable self-disgust of this one crowd on this one Friday morning in Palestine; he’s turning his bruised face toward the whole human crowd, past and present and to come, and accepting everything we have to throw at him, everything we fear we deserve ourselves. The doors of his heart are wedged open wide, and in rushes the whole pestilential flood, the vile and roiling tide of cruelties and failures and secrets. Let me take that from you, he is saying. Give that to me instead. Let me carry it. Let me be to blame instead. I am big enough. I am wide enough. I am not what you were told. I am not your king or your judge. I am the father who longs for every last one of his children. I am the friend who will never leave you. I am the light behind the darkness. I am the shining your shame cannot extinguish. I am the ghost of love in the torture chamber. I am change and hope. I am the refining fire. I am the door where you thought there was only wall. I am what comes after deserving. I am the earth that drinks up the bloodstain. I am gift without cost. I am. I am. I am. Before the foundations of the world, I am.

But it is killing him all the same.

  • 7 months ago
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  1. wtagg reblogged this from unapologetic-book and added:
    Daylight finds him in a procession again, but this time no one could mistake him for a king. He’s stumbling along under...
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Francis Spufford's new book "Unapologetic" was published in the UK in September 2012 by Faber & Faber. The British paperback is now out, and you can buy it from Amazon UK here. It remains available as a hardback here. The UK Kindle edition is here.

The US edition will be published by HarperOne in autumn 2013. In the meantime, Amazon US already seems to be selling a US-enabled Kindle version, and it can also be bought through the US iTunes store.

A Dutch translation will be published by Ten Have in June 2013.

An unabridged Whole Story audiobook, read by the author, has been produced by W F Howes. Amazon UK are selling it here as a set of CDs, and here as an Audible download. Meanwhile, the US version of the Audible download is here.

The website for my previous book "Red Plenty" is here.

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